主演：朱丽叶·贝尔托 布鲁·欧吉尔 Jean Babilée Hermine Karagheuz Nicole Garcia
导演：雅克·里维特
简介：Rivette is relatively precise in his dealings with meaning. He is the most atavistically ceremonious of the Vague, in the sense that his abstraction as a journey leading inwards is always attended by signs and codas that affirm our passage. The transcendent rite of passage, in more ways than one, is about the symbolic enactment that paves the way. The transcendence itself is left to our sphere of experience, but we're at least brought to the doorstep. Oh, there's the improvisational flow that seems to throw people off, that things seem to be randomly bubbling up from nothing without significant plan or substance. The chance encounters in a world that we may recognize, the geography vaguely familiar whose nature is yet ultimately insoluble. There's a lot of that here. As in Celine, it is the breathing space that conducts our preparation to step beyond the mechanisms of reason. We don't reason with it, rather trust its intuitive flow. Like the dream world, it is only the figment of the known world spontaneously arisen as a stage or blank slate for the atavistic portents and divinations of the subconscious mind to be writ. But the rite of passage matters, in spite of the seemingly aimless wandering. Here it is about human effort to bypass the 'wall of paradise' constituted by the coincidence of apparent opposites (good and evil, light and dark, being and non-being). A barrier that obscures vision and traps in a world of names and forms that is only an apparent reality. Rendered in the film as twin goddesses of sun and moon, vying for a precious stone that enables their descend into the human world. The human characters are mere pawns to their schemes; to be seduced, tricked, threatened, or ultimately destroyed. Twin femme fatales, weaving spells in an inverse noir universe magnified into a macrocosmic struggle. The ill-prepared man who chances to steal a glimpse of them in their true form, like in the myth of Actaion who steals upon the Greek goddess Artemis bathing naked in a pool, has his consciousness shattered by the revelation. His mirrored image (the soul, the reflected half) is cracked. The woman who finally shatters the illusionary duality that quarantines human consciousness into meaningless dilemmas, does so by a sacrifice of blood. And this is the problem of the film. So much of it is a stridently symbolic enactment, a matter of ceremony. The sacrifice is, quite literally, a matter of spilling blood upon the symbolic stone and does not flow from anything - it is simply the schematic end of the spiritual myth. Although valuable as insight, the meaning of the film is trapped inside the rituals performed to signify it. Having cracked the outer shell to absorb it, the film seizes to resonate.
主演：Jane Birkin Geraldine Chaplin André Dussollier
导演：雅克·里维特
简介：利維特一開場已經搞神秘：黃昏的街頭，一幫人齊集操上某私宅，然後和影機同謀，靜觀單位兩女一男私生活─名副其實砸破第四面牆，還是徹頭徹尾滿足偷窺慾？挑釁只是序幕。被瓢竊的舞台導演大受啟發，邀三演員到自己大宅，照辦煮碗做場騷，不過上演的卻是導演的真實戀情，當然是藝術加工一角度。珍寶金和謝拉婷卓別靈化身莎蓮與茱莉，搬住大宅排演七天，黐孖妹如入愛麗絲幻境，捲進了戀情七角錯，對象有現實中人，還有幻影，更有一個莎士比亞專家兼打雜。愛很容易，情感原來很脆弱。利維特媽哩媽哩空，兜亂真與假、現實與虛構，人生是否模仿藝術的大問題，在此都顯得膚淺了。
主演：艾曼纽·贝阿 耶日·拉齐维沃维奇 安妮·波诺什 Bettina Olivier 马蒂亚斯·容
导演：雅克·里维特
简介：《玛丽与朱利安故事》是1975年导演雅克·里维特的“鬼故事系列”中的一部。原计划分别以爱情、侦破、西部和歌舞这四个传统电影类型拍成四部关于“鬼”的电影，合起来又是个统一的故事。《玛丽与朱利安的故事》是这个计划的第一部“爱情片”，里维特先拍摄了其中的两部之后，就开始了《玛丽与朱利安的故事》的拍摄，但随即就停止了。里维特解释说：“两部电影的拍摄，每一部都有自己的风格，我已经非常疲惫了，但是我给自己设下的陷阱”。20多年后，里维特重新拾这个计划。影片保留了20几年前里维特设计的结构，全片共分成四个相对均等的单元，分别是“朱利安”、“朱利安与玛丽”、“玛丽与朱利安”和“玛丽”，按照当年的设想，这是从“生者世界”向“亡者世界”的一种过渡。第一部分“朱利安”讲述了玛丽的出现，并进入了朱利安的生活；第二部分“朱利安与玛丽”讲述以朱利安为主动的二人生活，第三部分“玛丽与朱利安”里，玛丽成为了两个人生活的主人，第四部分“玛丽”描述朱利安知道玛丽是个亡魂之后如何被她的魅力所吸引而渴望死亡，最后两个人的爱情超越了生死。里维特让爱表达在两个人的动作和对白中，使影片更接近于戏剧的方式。
主演：艾曼纽·贝阿 耶日·拉齐维沃维奇 安妮·波诺什 Bettina Olivier 马蒂亚斯·容
导演：雅克·里维特
简介：《玛丽与朱利安故事》是1975年导演雅克·里维特的“鬼故事系列”中的一部。原计划分别以爱情、侦破、西部和歌舞这四个传统电影类型拍成四部关于“鬼”的电影，合起来又是个统一的故事。《玛丽与朱利安的故事》是这个计划的第一部“爱情片”，里维特先拍摄了其中的两部之后，就开始了《玛丽与朱利安的故事》的拍摄，但随即就停止了。里维特解释说：“两部电影的拍摄，每一部都有自己的风格，我已经非常疲惫了，但是我给自己设下的陷阱”。20多年后，里维特重新拾这个计划。影片保留了20几年前里维特设计的结构，全片共分成四个相对均等的单元，分别是“朱利安”、“朱利安与玛丽”、“玛丽与朱利安”和“玛丽”，按照当年的设想，这是从“生者世界”向“亡者世界”的一种过渡。第一部分“朱利安”讲述了玛丽的出现，并进入了朱利安的生活；第二部分“朱利安与玛丽”讲述以朱利安为主动的二人生活，第三部分“玛丽与朱利安”里，玛丽成为了两个人生活的主人，第四部分“玛丽”描述朱利安知道玛丽是个亡魂之后如何被她的魅力所吸引而渴望死亡，最后两个人的爱情超越了生死。里维特让爱表达在两个人的动作和对白中，使影片更接近于戏剧的方式。
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